Faculty members Nicholas Parkinson and Marsha Morton have recently published essays in the anthology The Symbolist Roots of Modernism, edited by Michelle Facos and Thor J. Mednick (Ashgate 2015).  Their articles appear in the “Theory” section of the book and are titled, respectively, “De Chirico and the Fin de Siecle: The Metaphysical Paintings and Their Relationship to Symbolism,” and “From False Objectivity to New Objectivity: Klinger’s Legacy of Symbolic Realism.”