“The Idea of the Double in Text and/or Image from Antiquity to the end of the 20th Century,” in Doppelgangers, Alter Egos and Mirror Images … (See above, “PUBLICATIONS: BOOKS”) pp. 3-30
“Narcissus in the Art of Waterhouse, Dalí, Kusama, Collishaw and Muñoz,” in Doppelgangers, Alter Egos and Mirror Images… (See above, “PUBLICATIONS: BOOKS”), pp. 84-97.
“Doubling, Pairing and Halving in Some Self-Portraits by Frida Kahlo,” in Doppelgangers, Alter Egos and Mirror Images … (See above, “PUBLICATIONS: BOOKS”) pp. 129-143
“Morrisseau’s Thunderbird with Inner Spirit (circa 1978) in Doppelgangers, Alter Egos and Mirror Images … (See above, “PUBLICATIONS: BOOKS”) pp. 151-161.
“Afterword,” in Doppelgangers, Alter Egos and Mirror Images … (See above, “PUBLICATIONS: BOOKS”) pp. 215-222.
“Cross-dressing in the Arena Chapel: Giotto’s Virtue Fortitude Reexamined,” in Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600, ed. Marice Rose and Alison C. Poe, Brill Publishers, Leiden, 2015, pp. 37-79.
“Masaccio’s Shivering Neophyte” in Source: Notes in the History of Art, XXXIV, No. 3 (Spring 2015), pp. 9-16.
